Books That Influence: A Coney Island of the Mind

Starting out as a young writer I never wrote stories. Poetry was more my speed. And as a young poet I wrote my share of really, really bad poetry complete with awkward rhymes and sappy subject matter. But somewhere in my junior year of high school I was introduced to a poet that changed my writing forever. That poet was Lawrence Ferlinghetti and the poem that changed my life was called “Sometime During Eternity”.

Sometime During Eternity

Sometime during eternity
some guys show up
and one of them
who shows up real late
is a kind of carpenter
from some square-type place
like Galilee
and he starts wailing
and claiming he is hep
to who made heaven
and earth
and that the cat
who really laid it on us
is his Dad

And moreover
he adds
It’s all writ down
on some scroll-type parchments
which some henchmen
leave lying around the Dead Sea somewheres
a long time ago
and which you won’t even find
for a coupla thousand years or so
or at least for
ninteen hundred and fortyseven
of them
to be exact
and even then
nobody really believes them
or me
for that matter

You’re hot
they tell him

And they cool him

They stretch him on the Tree to cool
And everybody after that
is always making models
of this Tree
with Him hung up
and always crooning His name
and calling Him to come down
and sit in
on their combo
as if he is THE king cat
who’s got to blow
or they can’t quite make it

Only he don’t come down
from His Tree

Him just hang there
on His Tree
looking real Petered out
and real cool
and also
according to a roundup
of late world news
from the usual unreliable sources
real dead

Lawrence Ferlinghetti

This poem blew my young Catholic mind. What genius to take the story of Jesus and translate it into Beatnik terms. I was hooked. From then on I immersed myself in the Beats: Corso, Ginsberg, Kerouac, and Cassady, among others. I began to experiment with my own style. I embraced free verse, finally breaking free of the constraints of traditional poetry. The subject matter I explored became more sophisticated and more dark. Reading the poem by Ferlinghetti opened up a whole new world of writing to me. I felt I had finally found my voice. To this day my poetry still carries the mark of the Beats.

If you haven’t read it and even if poetry isn’t really your thing, I highly recommend Ferlinghetti’s poetry book A Coney Island of the Mind. It is a truly inspired piece of writing. And I am a firm believer that everyone needs to read Ginsberg’s “Howl” at least once before they die. This is poetry at its most raw and powerful. How can you go wrong with an opening line that reads:

“I saw the best minds of my generation destroyed by madness, starving hysterical naked…”

I often wonder if I would have continued writing poetry had I not found “Sometime During Eternity”. Quite honestly I wonder if I might still be Catholic. That poem caused me to look at a whole lot more than just poetry with new eyes. It affected me deeply and isn’t that the point of poetry?

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Drawing Them In: Advice on Creating Opening Lines

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Whenever I walk into a Barnes and Noble two things happen:
1. I breathe a little easier because being surrounded by books is like therapy for me.
2. After that euphoric experience my senses become immediately overloaded with all the possibilities. Which book should I choose? Do I go with an old reliable author or do I try to find someone new? Do I have enough money to take that chance?
What ends up happening is that I browse through the shelves and when a title or a cover catches my eye, I pick up the book and read the first few lines. If it doesn’t grab my attention, I put the book down and move on.

The first lines of a novel are so important and so many of the great ones have been taken. So how do we draw the reader in? How do we make him/her take interest in what we have to say and want to read more? Here is my two cents worth:

1. Start in the middle.
Many people struggle with writing the first paragraph of an essay, let alone a novel. One technique that has helped many is to start a story somewhere in the middle, then craft a beginning that logically and interestingly brings the reader to that point. There is no rule that says you must begin at the beginning and if you are staring at line after scratched out line of false beginnings, perhaps moving along to a different part of the story will help you figure out a way to draw in the reader.

2. Start in the middle.
This time I mean start your story in the middle of the actual story. Draw the reader in by indicating that this has been going on awhile. It may just make them wonder what has been happening up to this point. Of course, you will need to give them that information somewhere down the line or else you will upset your reader and they will curse your name.

3. Start with dialogue.
Most human beings are voyeuristic by nature and starting a story with a conversation between two characters might just be the ticket to causing the reader to read on.

4. Pose a question.
But it will need to be a good one; one that makes the reader think. You will also need to eventually answer the question. Be sure you know the answer the question you pose in the first couple of lines or you could disappoint the reader later on. This technique will probably work best if you are using a first person narrator in your story.

5. Give us a character to connect with.
If in the first couple of sentences we meet someone that we can identify with on some level, we are more likely to want to continue reading to see what happens to them. How does one do this in a mere three or four lines? That is a fantastic question and one that I am not sure I can answer in this space.

The first lines of a novel or story are the worm on the hook so to speak. Have fun with them. Seek out those books and stories you love most and read over and over again and take a look at the first couple of lines. What drew you in? What caused you to want to continue to read this story? Many of the best beginnings have already been written, but that doesn’t mean there cannot be many more added to that list.

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Frankie “The Gasket” Colletti

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Frankie “The Gasket” Colletti acquired his nickname by killing off hundreds of so-called “Rats” for the Gervasio crime family over the past thirty years. Sitting in the courtroom under the glaring lights the man didn’t move. Not even when his own lawyer smacked the podium next to him did he bat an eye. This guy was cold inside. Frigid. You could just tell. And his looks were deceiving. He resembled someone’s old, Italian grandfather. The kind that made marinara sauce from scratch and invited all his friends and family over for dinner. The kind that sat in rocking chairs and maybe enjoyed the occasional cigar. If you saw him on the street you wouldn’t think anything of him. You might even flip him the bird in traffic for driving too slow or cut in front of him at the grocery store. Then you might be found a day later with your throat cut and a receipt from Freddie’s Grocery tacked to your forehead, or a gear shift rammed down your throat.

He stared straight ahead as lawyers for both sides tossed evidence and insults at one another. Every once in awhile a small smile appeared on his lips. Usually it was during times when the prosecution showed gruesome images of the murders he had committed. And sometimes during witness testimony, his eyes glazed over as though he had left the courtroom mentally and returned to the scene of his bloody crimes.

And bloody they were.

Twelve men, all members of rival crime families, showed up butchered in twelve successive days. All were missing their eyeballs, tongues, and penises. According to the medical examiner, these body parts had been taken while their owners were still breathing. The tool used to remove these items was a rusty straight razor which now lie dormant in a small plastic baggie labeled “Evidence.”

A quick death would have shown too much mercy and Frankie “The Gasket” Colletti was not a merciful man. Only he knew the running total of how many men and women he had killed over the years…how many “leaks” he had stopped. Ending up in court was inevitable, but it had taken years to bring down the man in the dark suit at the front of the room. The man who oozed indifference as photo after photo of mutilated bodies clicked by on the screen at the front of the courtroom. The man who smirked a little when a victim’s family member cried out in court. The man who only glanced at the jury once, but had conveyed such a message as to insure a mistrial. This was a man whose sole purpose was to kill and he was more than confident he would be doing it again soon.

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Idea Generation

Idea
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Idea generation is an interesting topic. Obviously, different people get their ideas different ways. Personally, my ideas seem to come at me when I am in the process of doing something rather mundane, like driving or taking a shower. Unfortunately, neither of those occupations is conducive to writing down my ideas.

Years ago, because I found many of my ideas were springing forth on my drive to and from work, I purchased a small tape recorder to capture any inspired phrases or plot lines that zoomed into my head. This worked pretty well. I confess to a couple of impromptu renditions of old 80’s tunes working their way onto the tapes, but overall the device helped me during those times when ideas where popping up in the car. Most of these ideas came to me as a single sentence…almost like a log line for a story. I find that a single sentence can often lead to an entire story idea. Many a time, prior to using the recorder, I would drive eight or nine miles saying the same line over and over in my head until I got to where I could write it down without wrecking the car.

As far as where these ideas come from, it varies. Sometimes I will see something while I am driving that conjures up an idea. Often items that fall out of the backs of trucks will get my mind working or even a garbage bag left in the middle of the road. I wonder what is in the bag and then my mind will start on a story. Wondering about things will usually always lead me to some kind of story idea. Unfortunately, over the years, I have abandoned many of those ideas and left them unexplored.

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Cathartic Writing: Where to Turn for Advice on How to Turn Your Personal Demons into Story Gold

Writing comes from a very personal place and many writers agree that the process is an isolated one. Tapping into our own experiences when composing stories can, at times, take us to some pretty dark places. Cathartic writing is a way to unleash pent up emotions while at the same time creating potential ideas for characters and stories, but how much of ourselves should we put into our writing? Is creating a character much like ourselves a good idea when writing a novel, or does it just lead to awkwardness and self-aggrandizement? Can we remain objective and develop a plot successfully if we are personally connected to the events?

Personally, I think all writers should put a little of themselves into their stories. In fact, I’m not sure there is any way around having some of ourselves enter into our writing. Writers have often heard the old advice: “Write what you know.” Cathartic writing, such as journaling or blogging, can often lead to some great ideas, but sometimes those ideas can get lost in the shuffle. Maybe they don’t come across as well as we would like because we are too close to the subject matter to be truly objective. Can exorcising our personal demons morph into a great story, or will it just come off sounding like an overly-exposed therapy session? Who can we turn to for advice on this subject?

My answer: Stephen King. Stephen King is one of those writers who explores his dark side resulting in some fantastic storytelling. I highly recommend his book On Writing: A Memoir of the Craft. This book contains a lot of stories about his life and how those life experiences have shaped his writing. He is a man who successfully uses writing to overcome some of the personal demons with which he struggles. This book is a great guide for those writers considering using their cathartic writing to generate their own stories.

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