Groupomodoro

crostini al pomodoro

crostini al pomodoro (Photo credit: Wikipedia)

Once a month, our writing group uses half of our meeting time (we meet for approximately 90 minutes every other week) to explore the pomodoro technique together.  We write for 20 minutes, then discuss the experience before setting the timer and going again.  To give you a glimpse of how this works, I decided to reproduce here, in its unadulterated entirety, my latest result.

———————————————————————————————-

Jeff just set the timer for a 20 minute shared pomodoro and we are off! We have posted about the benefit of using a timed period to accomplish tasks before, but recently our writing group has embarked on using part of our meeting time to all do a couple of pomodoros together.  Some spend their time on a work in progress, a few use it to riff on something new, and me, well I am taking this one to hammer out this blog post.  I think, we are all pretty good about limiting our distractions when we are writing at home, but writing here at the coffee shop is another beast.  Last time we did it I just couldn’t concentrate enough to make sense of what I was working on so I actually riffed about the distraction itself (the coffee shop was crowded that day and it felt like the table next to us was right on top of us).  Today, at least we have a table out of the way.

It is interesting to be amongst writers writing, to hear the different rhythms of how we work.  Most of us are  touch typists, so we tend to type in flurries and then pause to move on.  We mostly avoid eye contact while working through it, but I am hyper-aware of the surroundings and find it difficult to get too focused.

This is a very loud coffee shop though, it always is.  But they have great coffee and actually a decent vibe overall.  When we lost our last meeting place (the bookstore decided that the coffee cafe just wasn’t working out), we happened on this place very quickly.  I even come here on the off weeks sometimes because they make great frozen coffee drinks and I can spend an hour to an hour and a half just working through something.

They also play a very varied musical selection here, jumping genres at a single bound.  A great Psychedelic Furs song just played and there could be a Tom Petty song around the corner. That all fades to the background when we are in the discussion part of our meetings, but often comes to the forefront when not engaged in conversation.

This post has begun to meander, partly because I didn’t come today with a defined writing goal, but I did bring my writing equipment: iPad, bluetooth keyboard, brain.  I have ideas swirling, but have had issue getting them to coalesce of late.  And that, my friends is what twenty minutes of riffing looks like.

 ———————————————————————————————-

As often occurs with writing off the cuff, there are some nuggets in the middle section that, if I was producing a polished piece, I could pull out and build around.  However, since I had pretty much reached a conclusion of sorts, feeling like I wanted to stretch out for the second period that week, and inspired by another member’s poetry work, I next embarked on kicking out some haiku infused with the flavor of the place in which it was written.

———————————————————————————————-

A coffee shop’s sounds
espresso tap, blender whirrs
conversation bits

A coffee shop hour
few regulars sit and work
others come and go

Conversation, crossword
many computers in use
coffee shop Sunday

How can that guy nap?
I would find it way too hard
Couch must be comfy

When this was a bank
probably not this busy
on Sunday morning

This is space transformed
Once a bank, now there’s coffee
The vault’s for study

Waxing poetic
while others drink their coffee
They’re none the wiser

Amidst the chaos
of this coffee shop today
I write poetry

This place is eXtreme
no really that is the name
not hyperbole

Enhanced by Zemanta

Story Forge Poem – A Web of Lies

A few months ago we used the Story Forge Cards to come up with a story outline for Film Noir. Several of us in our writing group each looked at the same card layout and created individual  stories. Three stories already been posted. Our group decided we should test out Story Forge to aid in writing poems.  Below is the outcome.  Take a look and let us know what you think. We continue to enjoy experimenting with Story Forge Cards. It is  a good process to generate story or poem ideas.

A Web of Lies

The ring was not lost
He finally realized
Like pieces fit together in a puzzle,
His wife had strung a web of lies

The 3 Karat platinum diamond ring
Was pawned to pay her gambling debt.
Totally different version from her story
It was in the shop for a cleaning and reset

The past six months of the marriage
Had been very lonely for him.
He begged her to come home early;
She argued overtime was best for them.

What she did not account for
Was the circle of friends in his life.
The pawn shop attendant, his fraternity brother,
Immediately knew she was his wife.

Although the attendant was held into secrecy
By his company’s code of conduct rules.
He had experienced a similar hurt
And didn’t want his brother made into a fool.

The brothers maintained a bond
Since their time together serving in Germany.
We fight each other’s battles,
In the air, on land, and sea.

With clarity of her lies
He left the marriage; divorced his wife.
She sunk into a deep depression
And with no hope in sight, she took her life.

“Try to See It My Way” (Writers and Negative Capability)

LONDON, ENGLAND - JULY 22:  Portraits of poet ...
Image by Getty Images via @daylife

“The wise man questions the wisdom of others because he questions his own, the foolish man, because it is different from his own.” —Leo Stein, American art collector and critic

In an 1817 letter to a friend, the poet John Keats describes one of the qualities that makes writers like Shakespeare so great: negative capability. Keats defines this trait as “…when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.” In other words, this is the ability to sublimate one’s own individual assumptions about the world and write about uncertain (or potentially polarizing) topics in such a way that the author’s own views remain unknown. It is also the recognition that there are often grey areas in life which cannot be resolved through rational means. This requires an extraordinary degree of objectivity, and it’s much harder than it seems.

To enter into the mind of other people (or things) and speak from their point of view is an essential goal for writers, and certainly Keats demonstrates this skill in “Ode to a Nightingale,” “La Belle Dame Sans Merci,” and “Ode On a Grecian Urn.” Often some of the most engaging literary works are those where there is no clear side taken on contentious issues (such as the free will versus predestination dichotomy in Shakespeare’s Hamlet or Sophocles’ Oedipus Rex). But the question is, how can writers break free from their own personal perceptions and approach subjects from a more objective point of view? Consider these strategies:

1. Read writers who are good at negative capability. I’ve mentioned Keats, Shakespeare, and Sophocles. But there are plenty of other notable authors, such as Emily Dickenson, William Wordsworth, Anne Rice, Walt Whitman, and John Updike.

2. Learn to view situations from other people’s perspectives. Imagine not what you would do if you were facing their circumstances, but rather think about what they would do and why.

3. Step into the unknown. Force yourself to write about subjects or situations you are uncomfortable with (or know little about).

4. Write in a new genre. Tell a familiar tale in a different format. For example, if you normally write short stories, turn your narrative into a poem (or vice versa). Or you could try turning a poem into a screenplay (or vice versa). Different literary conventions require different sensibilities, and this can lead to breakthroughs in our perceptions of subjects.

One of the joys of reading is having the opportunity to experience situations from someone else’s perspective. To do this convincingly, writers must learn to put aside their own ideas about the world and imagine alternative possibilities. This is terra incognita for many people, but by embracing this approach, you may discover new avenues of creative potential.

Enhanced by Zemanta

A Pocketful of Prosody

American author Stephen Crane in 1899

Image via Wikipedia

I love poetry, and as a high school English teacher, I would like my students to enjoy it as much as I do. While this may be an inherently futile endeavor, I continue to fight the good fight anyway and make pitches for my favorite poems and poets. If I’m lucky, the students who’ve learned to hate poetry may come to dislike like it perhaps a little bit less. At the very least, I try my best to repair the damage done by their former (albeit well-meaning) teachers who managed to drive the love of verse out of my students somewhere between kindergarten and junior high.

One thing my school did this year to promote the enjoyment of poetry was participate in “Poem In Your Pocket Day,” an exercise sponsored by Poets.org and The Academy of American Poets. The idea is simple. On Thursday, April 29, students are encouraged to keep copies of their favorite poems in their pockets to share with friends, teachers, co-workers, and family. Our school librarian even organized a prize drawing for students who showed their poems to their English teachers.

The results of the event were both interesting and encouraging. First of all, more than a quarter of my students carried poems with them to class—a much higher percentage than I anticipated. Some of the poems were classics, others were written by contemporary authors, a few were song lyrics (a valid form of poetic expression, in my opinion). The encouraging thing was that students seemed genuinely excited about sharing their poems with their classmates, and most insisted on reading the poems aloud so that the words could have maximum impact. Perhaps poetry as an art form is not dead after all.

By the way, the poem I carried in my pocket was one by Stephen Crane:

Poem 96

A man said to the universe:

“Sir, I exist!”

“However,” replied the universe,

“The fact has not created in me

A sense of obligation.”

I love that poem.

Reblog this post [with Zemanta]

Writers Write!

St. Augustine writing, revising, and re-writin...

Image via Wikipedia

The poem below is inspired by the day to day minutia experienced by writers that have every great intention of writing but things gets in the way. Fortunately, I was able to stop myself this week to get this poem finally out of my head. Let me know how you are moving along with your writing projects.

“Writer’s Write,” the book publisher said,
As she completed an inspiring address.
Living those two words in day to day chaos
Is not easy and often a mess.

Writers Write.
That means pen to paper, fingers to keys
So why is the story still in my head?
My thoughts run into roadblocks
Wrapped in fears I’d like to unwed.

Writers Write!
Giving myself a little credit
I have a full time job.
And two if parenting counts,
Picking up the pen to write after a full day’s work
Is more often than not a difficult thought.

Writers Write!
And wrestle too with so many things.
Should this character be this way or that?
Should the ending result in love or a spat?
And don’t start writing anything until all is exact.

Writers Write!
Move beyond the blocks.
Many we create on our own.
Imperfect characters do have merit.
Let go of your fears and move on.

Reblog this post [with Zemanta]